Posts Tagged ‘Robbie Stern’

Review: Robbie Stern (violin) and Philippa Naylor (piano) at the Hayward Theatre in Ely On Friday 11th November 2011 for The King’s School Ely’s nineteenth season

November 16, 2011

Review: Robbie Stern (violin) and Philippa Naylor (piano) at the Hayward Theatre in Ely On Friday 11th November 2011 for The King’s School Ely’s nineteenth season

Robbie Stern (violin) and Philippa Naylor (piano) captured the hearts and minds of the audience in the Hayward Theatre, Ely on Friday night. The regular supporters of the King’s School Ely Concert Society series have come expect an event of the highest quality and they were not disappointed.

Robbie and Philippa, two students in their final year at Cambridge University, knew their stuff. Robbie demonstrated an assured command of his instrument. No matter which techniques the pieces demanded, he executed them effectively every time. Philippa also displayed a tremendous technique and shaped her contributions expertly to match Robbie’s well.

The programme consisted of pieces that were Robbie’s favourites and the decision to include such demanding compositions for performers and listeners certainly paid off. The instrumentalists’ empathy with the composers’ intentions made their playing credible and captivating.

Such was the homely atmosphere that these concerts have come to engender, the audience was more than happy to wait a little before the concert began so that Robbie’s parents had a chance to get to the concert hall from Ely station.

Robbie chose to open the concert with a charming movement from J S Bach’s PartitA No.1 in B minor for solo violin: Allemande – double. It became immediately apparent that Robbie has a most endearing capacity for bringing out the musicality of a piece while at the same time maintaining a sense of tension and restraint that creates that special bond between composer, performer and audience.

Philippa then joined Robbie on stage and they performed Sonata for Violin and Piano in G Major by Maurice Ravel. Robbie introduced the item and mentioned how Ravel had said he believed the violin and the piano had little in common and could never enjoy complete equilibrium. This piece certainly displayed this attitude by the composer. However, just as I have difficulty in accepting Ravel’s apparent boast that he could describe anything in music – even a chair, it is difficult to accept that these two instruments were entirely incompatible. Whatever the intension of the composer, these skilled performers did have rapport, their music although seemingly ‘at odds’ at one level, was nevertheless cohesive with effective communication and understanding between the instruments. The opening Allegro contained moments of mutual understanding, effective dialogue and intriguing juxtapositions that nevertheless ‘matched’.

The second movement reflected the kind of blues music Ravel probably heard in the streets of Paris. …

The concert ended with another challenge for the performers: Serge Prokofiev’s Sonata for Violin and Piano no. 2 in D, Op. 94. This work offered Prokofiev’s attractive melodies and classical structures and these made the unusual intervals of his day all the more acceptable to the unaccustomed ear. The first movement, Moderato, had a most tuneful opening, and Robbie’s exquisite restraint was again particularly noticeable.  The second movement, the traditional Scherzo, was indeed playful and jolly at times, the third movement, Andante, created an overall sense of suspended quiet and calmness with occasional more thrilling developments. The fourth movement, Allegro con brio, opened with a flourish and the piece certainly added fiery liveliness to the proceedings.  In this movement the amazing technique of the performers was particularly apparent. The potency and strength of Rebecca was never in any doubt even though she performed as ‘accompanist’ throughout the evening. As expected, Robbie rose to the occasion and filled the hall with sounds of dramatic intensity, providing an admirable ending to this most enjoyable concert.

Forthcoming events:

Wednesday 16th to Friday 17th November King’s Company Play ‘Improbable Fiction’ by Alan Ayckbourn 7.30 in the Hayward Theatre admission free

Sunday 20th November ‘Christ the King’ Choral Concert King’s Chapel Choir, Prime Brass and Jonathan Lilley (organist) 8 p.m. Ely Cathedral

Thursday 24th November Lunchtime Live Concert 1.10 Ely Cathedral

Friday 2nd December, King’s Charity Concert 7.30 p.m. Hayward Theatre

Friday 20th January King’s Ely Concert Society, Richard Uttley (piano) 7.30 Recital Hall

Thursday 26th January lunchtime Live Concert 1.10 St. Mary’s Church Admission free

Contact: Lisa Bushell at King’s Ely Music School (01353 653931) email: boxoffice@kings-ely.cambs.sch.uk

http://www.localsecrets.com (for the entire review)

Rosemary Westwell

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