Posts Tagged ‘Ely Cathedral’

A review of G4 in Ely Cathedral on Thursday 23rd November 2017

November 26, 2017

With the queue of people spilling right out onto the pavement from the entrance of Ely Cathedral, it was obvious that this evening was going to be something particularly special and G4 is a group that has certainly stood the test of time and is as popular as ever.

The evening contained a full and varied programme of music that not only gave us a good taste of Christmas to come, it also touched the heart strings as only experienced singers can do. There were times of joyful acknowledgement of the coming season with traditional carols such as ‘Away in a Manger’, ’O Little Town of Bethlehem’ and ‘Good King Wenceslas’ and the audience was delighted to have the chance to join in with some of them.

The highlights for me were the more pensive moments, especially when this group: Jonathan Ansell, Ben Thapa, Mike Christie and Nick Ashby, moulded together in that memorable harmonic texture that they are renowned for. ‘I can’t help falling in love’ was especially moving.

There were also more jolly moments and the encore medley was particularly effective.

A young choir from Milton Keynes provided variety and it was not doubt that the children were delighted to be on stage with such famous people. They certainly livened up the evening with their lively song in the second half of the programme

The accompanists, A.J. Moore (guitar) and Jonathan Eyre (piano and organ) were fine musicians and supported the event superbly.

This was a highly successful even and there was no doubt that the fans weren’t disappointed. You need to book up now if you want to get into their return performance in the cathedral next year!

 

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A review of ‘Prime Brass’ in Ely Cathedral on Saturday 11th November 2017

November 14, 2017

Prime Brass is renowned as an excellent group of brass players and tonight the standard of music was as high as expected. Conducted by Paul Trepte they gave magnificent performances opening proceedings with the majestic but sombre ‘Marche Triomphale du Centenaire de Napoléon’ by Louis Vierne,

This was followed by an original composition commissioned for Paul Trepte: ‘Fanfares and Chorale’. Paul’s composition was one of the highlights. He explored the contrasts of the more precisely articulated and triumphant fanfare and the more sonorous chorales intriguingly well while creating a cohesive and interesting piece as a whole.

Other delightful pieces performed by this group were ‘Salvum fac populum tuum’ by Widor and ‘A night on a Bare Mountain’ by Mussorgsky arranged by K. Singleton.

Later in the programme, Guy Llewellyn’s arrangement of ‘Mars the Bringer of War’ by Holst was especially effective and the sense of foreboding and the impending horror of war were never lost.

The younger Prime Brass group excelled themselves. Under the baton of Christopher Lawrence they flourished and the pieces they played rang out beautifully and triumphantly through the magnificent vaults of Ely Cathedral. Their ‘Fanfare for a Royal Occasion’ by Ken Naylor, Rigaudon by Campra and ‘Remember’ by Jasper Eaglesfied were delightful. ‘Remember’ was especially interesting for it was commissioned from the young composer who could be found in the midst of Junior Prime Brass. He should go far.

When the groups came together at the end of the concert, the impact of such a powerful sound and the amazing precision of their playing, especially in ‘A Poetic March’ by Alford was particularly noticeable. With fireworks resounding in the park next door before the concert began, the final piece, Handel’s ‘Fireworks Suite’ culminated the concert perfectly.

This was a splendid memorable concert in keeping with this special day.

 

Review of the Valentine’s Concert in Ely Cathedral on the 11th February 2017

February 12, 2017

The Valentine’s Concert in Ely Cathedral on February 11th was the eighth annual visit by Warren  Mailley-Smith and co musicians and it was one of the finest.

Warren Mailley-Smith (piano), Pavlos Carvalho (cello), Lucy Jeal  (violin) and

(soprano) gave us a splendid evening of romantic music that not only stirred the heart strings but amazed us with their technique and ability to bring out the musical qualities of the pieces they chose. The   compositions were by no means easy and the way in which the three instrumentalists demonstrated  such clarity and virtuosic skill was phenomenal. No matter how difficult the passage, these three excellent musicians synchronized perfectly. Susan Parkes (soprano) added to the wonderfully romantic spirit of the evening with her collection of songs at the end of the programme.

In Beethoven’s ‘Moonlight’ Sonata, Warren played with accomplished fluency that comes with experience and insight, bringing out sonorous key melodies exquisitely and adding new qualities to this very famous piece.

The highlight of the evening for me, Rachmaninov’s ‘Sonata for Cello in G minor’, played by Warren and Pavlos, was magnificent. While demonstrating amazing technique and empathy for the music, these fine performers maintained Rachmaninov’s romantic melancholy and nostalgia well while reminding us of their tremendous agility and expressive capability in the more joyous passages.

Elgar’s ‘Salut d’amour’ was a must for the programme and Lucy played it beautifully on her violin.

Mendelssohn’s ‘Piano Trio in D minor’ was positively charming while Susan’s songs left us in no doubt that this was indeed a celebratory concert. The songs included Puccini’s ‘O mio babbino’, ‘Morgen’ by Strauss, ‘Je veux vivre’ by Gounod and ‘Habañera’ by Bizet. In the moments when her beautiful voice was focused, the sound was exhilarating.

What a delightful evening!

Review of the concert given by Ely Sinfonia and Martin Roscoe concert in Ely Cathedral on Saturday 22nd October 2016 (photos featuring Steve Bingham Martin Roscoe and members of the audience Dr Arthur and Colin Wills)

October 23, 2016

review-gershwin-16-arthur-and-colin-wills-yreview-gershwin-16-steve-bingham-yEly Sinfonia members, under the directorship of Steve Bingham, were excellent on Saturday when they performed works by Bernstein, Gershwin and Aaron Copland in Ely Cathedral. They handled the tricky rhythms, rapid runs and sonorous harmonies with real aplomb. This orchestra has certainly come on a long way since it first started.

The star solo performer of the night was Martin Roscoe, a highly accomplished and experienced musician. He played Gershwin’s ‘Piano Concerto in F’ with calm assurance, using an amazing variety of touch and virtuosic technique that made the piece sparkle. He gave the impression of playing in three-dimensions, sharp melodic phrases being brought out clearly with other subsidiary phrases shaped carefully underneath.  He had that special quality that only first class pianists have; he pulled back almost imperceptivity with Gershwin’s emotional passages so that every nuance of feeling was explored. When Martin said at interval that he enjoyed his visit to Ely Cathedral, I am sure we certainly enjoyed having him come and considering his wealth of knowledge of piano concertos it is to be hoped he comes again.

Of the purely orchestral pieces for the evening, Aaron Copland’s ‘Quiet City’ appealed to me most. This mostly quiet composition was performed very well, conveying exquisitely a serenity that created a magical atmosphere, stirring the imagination wonderfully.

Bernstein’s ‘Overture to Candide’ was colourful and expressive with the changes in dynamics brought out particularly well. In Aaron Copland’s ‘Appalachian Spring’, the performers gave a highly skilful and entertaining performance giving us fitting snippets of America that ended the evening perfectly. It was heartening to hear the well known tune ‘Simple Gifts’ included. (This tune is known to us as ‘The Lord of the Dance’.)

It was indeed a splendid evening. Ely Sinfonia’s next major event will be ‘Symphonie Metamorphosis’ with works by Hindemith, Ravel and Franck on 6 May 2017 in Ely Cathedral.

contact: box.office@elycathedral.org.review-gershwin-16-martin-roscoe-2-y

Review of The Pembroke Players’ Japan Tour group’s presentation of ‘Romeo and Juliet’ in the presbytery of Ely Cathedral on 8th September 2016

September 11, 2016

This group, more than any other I have witnessed lately, gets to the heart of Shakespeare: his words. With absolutely clear diction, dynamic action and minimal props and scenery, this fine group gave us Shakespeare’s play in a nutshell: the tale of two young lovers from opposing enemy families.  Nothing was lost with cutting the cast to the bone, leaving out the male heads of the households for example, for Shakespeare was not averse to strong women and the matriarchal heads of families, Lady Capulet (played by Dolores Carbonari) and Lady Montague (Lola Olufemi) certainly held their ground. The young and good-looking lovers were well represented by Ciarán Green (Romeo) and Emma Corrin (Juliet). Some of the other particularly notable characters were Nurse (Yasmin Freeman) and Mercutio (Justin Blanchard) who spoke and moved confidently and charismatically about the stage keeping us thoroughly enthralled. Paris (Will Bishop), Benvolio (Katura Morrish ) Tybalt (Toby Marlow), and Friar Laurence (William Ashford) were also highly creditable characters helping the plot move to its dramatic end. The additional modern feel of this production, especially the wonderfully choreographed dance to music out of Shakespeare’s time, added spice to this impressive production.

Congratulations to director George Kan and his team Tour Manager Romilly Beddow and Technical director Charlie Jonas for such an exceptional performance.  If this is any indication, their tour of Japan should be highly successful.

Review of CAST’s production of ‘As You Like It’ in Ely Cathedral on Wednesday 24th August 2016

August 28, 2016

The University of Cambridge American Stage Tour presented a delightfully entertaining production of Shakespeare’s ‘As You Like It’ in Ely Cathedral presbytery on Wednesday.

These highly talented performers captured our hearts from the start and we could relate perfectly to the characters ranging from the lovely Rosalind (played by Amy Malone) and love-stricken Orlando (Joe Pitts) to the well matched Touchstone (Ryan Monk) and Bawdy Audrey (Megan Gulbert). Every character was true and the reactions to each other’s speeches were particularly impressive.

The witty Shakespearean language was delivered with astute, expressive timing while scenery costumes and mannerisms of the characters were brought up-to-date without ever losing the high quality of Shakespeare’s twists and turns in his witty script and complex plot.

The ingenious stage tableaux, especially the sheep scene and the beautiful highly appropriate music (by Jamie Felton) had us transfixed.

Special moments for me were the realistic fight scene at the beginning of the play when Orlando attacked his brother Oliver (Alasdair McNab), when Celia (AliceCarlill) expressed  such  disdain by  casually reading a book, ignoring the intricate games the lovers around her played and the MacDonald’s picnic. Only a highly successful group such as this would get away with such a scene.

This excellent group will begin their American tour in September.

For more information contact http://www.castcambridge.com/

Review of ‘Gabrieli Roar’ in Ely Cathedral on Monday 4th July 2016

July 7, 2016

This was an apt title for an amazing concert in Ely Cathedral featuring a massed choir of young singing enthusiasts. Who says the young never do anything? These young people have obviously practised many an hour to achieve such a wonderful sound and under the baton of Paul McCreesh, gelled together wonderfully to present many works of the church repertoire from Gabrieli’s time in the sixteen and early seventeenth centuries and some well known ones from later eras. These compositions needed a special understanding and approach to bring out the beauty of the music of their time.

From the opening plainsong ‘Ave Maris Stella’ that floated high in the cathedral vaults as the voices from the back of the church slowly moved forward to under the octagon, it was obvious that this was going to be a splendid evening.

The other works presented were by Felix Mendelssohn, Christopher Tye, Samuel Wesley, Edward Elgar, John Sheppard, Robert White, Herbet Howell and Thomas Tallis. Christopher Tye and Robert White were wise choices for they both had worked in Ely Cathedral.

At the full climaxes, the music did indeed ‘roar’ and these singers also created exquisite moments of contemplative reflection, charming beauty, and gentle resonance as the voice parts echoed each other and  intertwined.

The magnificent choirs gathered together included The Gabrieli Consort with Bradford Catholic Youth Choir, Cantante, Hertfordshire County Youth Choir, Inner Voices, London Youth Choir and Taplow Youth Choir. The highly competent organist was William Whitehead.

This was an inaugural concert for the coming Cambridge Summer Music Festival. For more information about the festival contact: http://www.cambridgesummermusic.com

Review of ‘The Building of Ely Cantata Eliensis’ in The Lady Chapel Ely Cathedral on Sunday 26 June 2016

June 27, 2016

review 26 June 16 The Story of Ely CathedralThe Cantata Eliensis tells the story of the building of Ely Cathedral. The librettist, Nick Pitts-Tucker, used original sources as his inspiration and the music was well-designed to reflect the chants and  harmonies from the twelfth century while incorporating more contemporary effects that coloured events wonderfully. The three composers Anna Krause, Toby Young and Louis Mander produced some intriguing sounds which gave the story life and substance and which would not have been possible without the expertise of the very fine musicians. We could feel the mysterious eeriness of the Fens, we experienced the horror of battle and marvelled at the portrayal of quarrymen, layers, carpenters and masons at work. Although a modern instrument, the improvised nature of the saxophone part interwove within the texture fittingly.

Under the baton of Kate Bullimore Cantata Dramatica soloists and chorus expressed the music with accomplished conviction leaving the audience with a sense that it had indeed experienced what it must have been like to build such a magnificent building in those times.

It was fortuitous that the Director of Music at Ely Cathedral had heard the work before in Grantham and the Lady Chapel of Ely Cathedral was a most appropriate place for the powerful open harmonies resounding against the stark stone of the surroundings.

For more information contact http://www.cantatadramatica.com

Review of ‘A Summer Celebration’ in Ely Cathedral on Saturday 25th June 2016

June 27, 2016

review 25 June 16 1 choristersreview 25 June 16 3 Lesley Garrett and Sarah McDonaldreview 25 June John Rutter‘A Summer Celebration’ in Ely Cathedral last Saturday must be one of the major highlights of the year and it certainly celebrated the 10th anniversary of the Ely Cathedral Girls’ Choir magnificently.

The performers included Ely Cathedral Girls’ Choir, Ely Cathedral Octagon Singers, The Ely Imps, The Ely Celebration Orchestra (led by Emma Gait) and famous guests Lesley Garrett (soprano) and John Rutter (composer and conductor). With a line-up like this, success was inevitable and it was no surprise that the cathedral was packed.

The quality of performance was undisputed and from the spine-tingling opening when the massed choir began to sing Zadok the Priest, there was not a moment that did not fill the cathedral with wonderful sound.

After Sarah MacDonald led the massed choir singing ‘Zadok the Priest’ the girls, boys and men’s choirs sang the other Coronation anthems: ‘The King shall Rejoice’ and ‘My heart is Inditing. Sarah’s conducting was exceptional.

John Rutter is an inspiring composer who writes music that is both delightful and accessible and the pieces he chose for The Ely Imps were ideal. They included ‘Magical Kingdon’, ‘Look at the World’ and ‘For the Beauty of the Earth’.  Under his baton the young singers sang beautifully, their voices clear and the music expressive and heart-warming. Asked what the secret of good composing is, John Rutter immediately replied: ‘Believe in it and study hard.’ This is wise advice from what must be one of the world’s most renowned current composers.

Equally famous Lesly Garrett joined the singers in ‘Laudate Dominum’ by Mozart and Stanford’s ‘Magnificat in G’ both of which were conducted by Sarah MacDonald. Needless to say, the effect was utterly stunning.

Beethoven’s ‘Mass in C’ was chosen to close the evening and the performers rose to the occasion wonderfully. Under Paul Trepte’s directorship they fully explored Beethoven’s quieter reflections, contrasts, intensity and changes of pace. The soloists were excellent and included Tara Bungard (soprano), Karl Read (alto), Mark Hounsell (tenor) and Jonathan Midgley (bass). For Tara this event was a real family affair for present in the audience was her mother, Sue Freestone, (Principal of The King’s School Ely where the choristers attend) who proudly admitted that her grandchildren were also performing as members of Ely Imps.

This was indeed a unique, splendid evening that would be nigh on impossible to surpass.

 

Review of Guy Johnston ( ‘cello)  and Melvyn Tan (piano) in Ely Cathedral on Saturday 11th June 2016

June 20, 2016

After the inaugural event of the Isle of Ely Arts Festival this year, when they presented a workshop to budding young cellists, these highly talented musicians gave a concert in Ely Cathedral.

The programme was varied but the performance was constant: a performance that can only be described as outstanding. Their phenomenal technique was immediately apparent as they varied the sound and touch very effectively.

Guy produced some of the most musical and precise sounds I havereview Guy Johnston and Melvyn Tan June 16heard from a ‘cello. His prowess was exemplified by agility and clarity in the Bach, amazingly powerful and well balanced double-stopping in the Turnage, sheer beauty and sonority in the Mendelssohn, notable intensity and sensitivity in the Schubert, potent bowing in the Chopin and very moving expression in the Fauré.

His talent was well matched by Melvyn Tan’s piano playing. Melvyn accompanied with real empathy as the need arose and in the Chopin particularly, his fantastic flair and virtuosic agility were unforgettable.

This was an excellent concert, giving the Isle of Ely Arts Festival a tremendous start.