Posts Tagged ‘Christopher Lawrence’

A review of ‘Prime Brass’ in Ely Cathedral on Saturday 11th November 2017

November 14, 2017

Prime Brass is renowned as an excellent group of brass players and tonight the standard of music was as high as expected. Conducted by Paul Trepte they gave magnificent performances opening proceedings with the majestic but sombre ‘Marche Triomphale du Centenaire de Napoléon’ by Louis Vierne,

This was followed by an original composition commissioned for Paul Trepte: ‘Fanfares and Chorale’. Paul’s composition was one of the highlights. He explored the contrasts of the more precisely articulated and triumphant fanfare and the more sonorous chorales intriguingly well while creating a cohesive and interesting piece as a whole.

Other delightful pieces performed by this group were ‘Salvum fac populum tuum’ by Widor and ‘A night on a Bare Mountain’ by Mussorgsky arranged by K. Singleton.

Later in the programme, Guy Llewellyn’s arrangement of ‘Mars the Bringer of War’ by Holst was especially effective and the sense of foreboding and the impending horror of war were never lost.

The younger Prime Brass group excelled themselves. Under the baton of Christopher Lawrence they flourished and the pieces they played rang out beautifully and triumphantly through the magnificent vaults of Ely Cathedral. Their ‘Fanfare for a Royal Occasion’ by Ken Naylor, Rigaudon by Campra and ‘Remember’ by Jasper Eaglesfied were delightful. ‘Remember’ was especially interesting for it was commissioned from the young composer who could be found in the midst of Junior Prime Brass. He should go far.

When the groups came together at the end of the concert, the impact of such a powerful sound and the amazing precision of their playing, especially in ‘A Poetic March’ by Alford was particularly noticeable. With fireworks resounding in the park next door before the concert began, the final piece, Handel’s ‘Fireworks Suite’ culminated the concert perfectly.

This was a splendid memorable concert in keeping with this special day.

 

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Review of Prime Brass in Ely Cathedral on Saturday 07th November 2015

November 12, 2015
Paul Trepte Geoffrey Alvarez Christopher Lawrence

Paul Trepte Geoffrey Alvarez Christopher Lawrence

Ely Cathedral is the ideal place if you want to make a big noise, so when I saw that ‘Prime Brass’ were performing, the group seemed just right for the concert on Saturday. However, there was much more that some fantastically powerful sounds that these brass players could muster, there were many moments of highly professional precision, expression and sensitivity.

This was no run-of-the-mill programme either. In between very pleasant and the well executed items that were expected there were recent compositions of the more expansive and complicated type.

The evening opened with ‘Spirit of the Age’ by Arthur Bliss conducted by Paul Trepte and immediately Prime Brass, demonstrated real craftsmanship. The precision, variation in the dynamics (louds and softs) and the way the instruments blended their sounds were most impressive.

This was followed by a real star of the evening:‘Symphony V1½’ written especially for tonight’s concert by Geoffrey Alvarez. Paul Trepte’s phenomenal conducting was evident when the composter told me that he was particularly impressed with the precision of the rhythm: – not an easy one to engage with, as it was based on a 6-beat pattern. I know Paul got it just right when I saw the composer so engrossed with the work that when the climax finally came he was nearly out of his seat. While I can’t pretend to have understood the significance of every note, I was fascinated by the sense of celestial grandeur, occasional spikiness and moments of abandonment especially when the mambo percussion came to the fore.  I was also amazed when the composer noted on Facebook that Edmund Aldhouse, our very own assistant organist (who played particularly well in this concert), pointed out that there was one bar discrepancy between Alvaraez’s symphony 6 for brass band and 6½ for brass and organ. Now that’s musical genius!

Other delightful compositions followed, including works by Morten Lauridsen, Eugène Bozza, Johann Sebastian Bach, Edvard Grieg, Benjamin Britten and Camille Saint-Saens.

Another contemporary composer who was at the concert was Peter Dickenson and his work ‘Fanfares and Elegies’ was another star of the night which contained great moments of contrast and extremes.

This concert also featured Junior Prime Brass conducted by Christpoher Lawrence and they were a fine testament to the future, performing will noticeable warmth and aplomb.

This was indeed a grand event.